Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

It’s Murder She Wrote meets Sex and the City! Best friends Mary, Jo, and Liz are divorced and single, enjoying their Chardonnay Tuesdays. But danger looms when Liz starts dating an unhinged dentist who may be a serial killer! To save their friend, Mary and Jo ditch their wine glasses for spy glasses—launching into midlife Nancy Drew mode. In this flirty comic caper, Wendy MacLeod’s Women in Jeopardy! shows the ridiculous lengths we’ll go to help our friends.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses—and then there is Sarah Bernhardt.” It’s 1899 in Paris, and legendary diva Sarah Bernhardt needs a crowd-pleaser to save her debt-ridden theatre company. So she decides to ditch the dresses and tackle her most ambitious role yet: Hamlet!  The city watches to see whether this bold plan will be her legacy or folly. High comedy and human drama collide in this vivid account of a 19th century woman issuing a challenge to the system. And it’s as timely as ever.

Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses—and then there is Sarah Bernhardt.” It’s 1899 in Paris, and legendary diva Sarah Bernhardt needs a crowd-pleaser to save her debt-ridden theatre company. So she decides to ditch the dresses and tackle her most ambitious role yet: Hamlet!  The city watches to see whether this bold plan will be her legacy or folly. High comedy and human drama collide in this vivid account of a 19th century woman issuing a challenge to the system. And it’s as timely as ever.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.

Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses—and then there is Sarah Bernhardt.” It’s 1899 in Paris, and legendary diva Sarah Bernhardt needs a crowd-pleaser to save her debt-ridden theatre company. So she decides to ditch the dresses and tackle her most ambitious role yet: Hamlet!  The city watches to see whether this bold plan will be her legacy or folly. High comedy and human drama collide in this vivid account of a 19th century woman issuing a challenge to the system. And it’s as timely as ever.

Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses—and then there is Sarah Bernhardt.” It’s 1899 in Paris, and legendary diva Sarah Bernhardt needs a crowd-pleaser to save her debt-ridden theatre company. So she decides to ditch the dresses and tackle her most ambitious role yet: Hamlet!  The city watches to see whether this bold plan will be her legacy or folly. High comedy and human drama collide in this vivid account of a 19th century woman issuing a challenge to the system. And it’s as timely as ever.

Sidney Bruhl is a washed-up, has-been playwright. He’ll go to any length for a hit. Any length. When a young protégé sends him a draft of a surefire Broadway hit, he hatches a plot to—well, we wouldn’t want to spoil anything now, would we? From the mischievous mind of Ira Levin, Deathtrap is a devilishly clever thriller that will have you on the edge of your seat till the final bow.